Poet Maggie Smith uses her memoir to tell a deeply personal story that nonetheless invites readers to make it their own. Review by Whitney Rio-Ross

Eugene Vodolazkin once again makes the case for living in the present, this time on a grander scale. Review by Sarah Clark

Poet and translator Andrew Frisardi demonstrates the fertile soil of traditional forms in his newest collection of verse. Review by Tessa Carman

Contemporary dialogue on singleness leaves a lot to be desired. Danielle Treweek aims to show a better way—and succeeds. Review by Jake Casale

Monsignor Lorenzo Albacete’s Cry of the Heart leads the reader past tenderness to find redemption in suffering. Review by Drea Jenkins

Sorrentino’s film, now a decade old, offers a powerful picture of real beauty, both visually and through its narrative of spiritual renewal. Review by Marie O'Shea

In re-reading of the Divine Comedy as a theological treatise, Denys Turner adds another entry to his multi-work thesis, argues for expanding the landscape of medieval theology, and re-imagines the meaning of one of classic literature’s most iconic poems. A joint review by Peter Blair and Sara Holston

If we want to meaningfully join in the conversation about AI, we’ll have to learn to face ourselves first.

Learning to Love welcomes Christian undergraduates into the liberal arts tradition. Review by Sarah Clark

J.C. Scharl’s new verse play is unexpected, experimental, and a truly worthwhile piece of art.