Celebrants
Nickel Creek’s latest revival refuses to preach to the choir. Review by Charlie Clark
Nickel Creek’s latest revival refuses to preach to the choir. Review by Charlie Clark
Sorrentino’s film, now a decade old, offers a powerful picture of real beauty, both visually and through its narrative of spiritual renewal. Review by Marie O'Shea
In re-reading of the Divine Comedy as a theological treatise, Denys Turner adds another entry to his multi-work thesis, argues for expanding the landscape of medieval theology, and re-imagines the meaning of one of classic literature’s most iconic poems. A joint review by Peter Blair and Sara Holston
If we want to meaningfully join in the conversation about AI, we’ll have to learn to face ourselves first.
Learning to Love welcomes Christian undergraduates into the liberal arts tradition. Review by Sarah Clark
J.C. Scharl’s new verse play is unexpected, experimental, and a truly worthwhile piece of art.
Overtly anti-Christian though it may be, The Whale offers a vision of forgiveness, love, and reconciliation.
Do we undervalue friendships when we think there’s nothing worth ending them over? Review by Whitney Rio-Ross
Adalbert Stifter’s collection of novellas is long on landscape descriptions and short on climactic events—but his appeal for his more famous contemporaries is strangely understandable.
Paul Mariani invites a host of other poets to his metaphorical table, and then invites us to take a seat and hear what they have to tell us.