{"id":1743,"date":"2020-12-15T21:49:02","date_gmt":"2020-12-15T21:49:02","guid":{"rendered":"http:\/\/farefwd.com\/?p=1743"},"modified":"2020-12-15T21:49:07","modified_gmt":"2020-12-15T21:49:07","slug":"the-theology-of-breaking-bad","status":"publish","type":"post","link":"https:\/\/farefwd.com\/index.php\/2020\/12\/15\/the-theology-of-breaking-bad\/","title":{"rendered":"The Theology of Breaking Bad"},"content":{"rendered":"\t\t
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The Theology of Breaking Bad<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Walter White\u2019s descent from moral indifference to true evil is not a sudden plunge, but rather a slow slide begun in pride and paved with the noblest of intentions.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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By Jordan Monge<\/em><\/p>

Editor’s Note: Massive spoilers. Read at your own risk.<\/em><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Breaking Bad<\/em> is one of the most ethically complicated dramas on television today. The series explores themes of sin, guilt, forgiveness, and damantion through the transformation of Walter White, a high school chemistry teacher turned meth kingpin. Calling the series\u2019s thematic landscape a philosophy fails to fully appreciate its religious dimensions; in this essay, I will sketch a few tenets of what we might call the theology of Breaking Bad<\/em>.<\/p>

In the beginning, Walter could hardly be a more sympathetic character. He is passionate about his subject (if not about his frequently inattentive students). But one day, he receives a diagnosis of advanced lung cancer that forces him to confront his mortality. With a disabled son and pregnant wife, Walter worries that his death will leave his family impoverished. As he runs the numbers, he realizes that to keep his family comfortable after his death, he would need to make more than a million dollars in just a few months. When he sees a drug bust on television, Walter realizes his best option to make fast cash is to put his chemical expertise to use manufacturing m<\/em>ethamphetamine<\/em>.<\/p>

Over the course of five seasons, Walter descends deeper and deeper into evil, becoming the ultimate anti-hero. So how does one go from a common chemistry teacher to a murderous drug lord? Or as series creator Vince Gilligan puts it, \u201cWhat if it was essentially me\u2014in other words\u2014a guy who has never broken a law, barely littered or jaywalked, who has never broken the law in any serious way suddenly finding himself being a meth cook, doing something reprehensible?\u201d Gilligan\u2019s answer takes three primary forms: Walter\u2019s evil deeds are motivated by pride, rationalized with good intentions, and lead him slowly but surely into total depravity.<\/p>

Ultimately, Walter\u2019s descent is driven by the most formidable and dangerous of sins: pride. His wealthy friends offer to cover the cost of his cancer treatment, in part because they owe him a great intellectual debt, but Walter refuses to go \u201cbegging for [their] charity.\u201d He is offended by the very idea of relying on others and spurns the offer.<\/p>

In Mere Christianity<\/em>, C.S. Lewis calls pride \u201cThe Great Sin\u201d for it \u201chas been the chief cause of misery in every nation and every family since the world began\u2026\u00a0it was through Pride that the devil became the devil: Pride leads to every other vice.\u201d We see in Walter\u2019s case that it is his pride\u2014an unwillingness to accept normal treatment, a refusal to be a charity case even when faced with his own impending death\u2014that starts him on the path toward manufacturing meth. Pride is the catalyst that leads to all of Walter\u2019s other sins.<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Each step can be rationalized and justified out of an appeal to the superior end Walter is trying to accomplish.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Of course, Walter would argue that his motivation is actually noble: he rationalizes his behavior by appealing to the need to provide for his family. Here we get one of the most accurate pictures of middle class life on television today. While Walter and his wife Skylar have more than enough\u2014a home, two cars, a pool out back\u2014they still seem to be struggling to make ends meet. Skylar once worked as an accountant but quit after her boss made sexual advances toward her. Left with a single income, their family faces financial insecurity. And there are more expenses on the horizon: between college for the kids, medical care for his disabled son, and leaving enough for his unborn daughter, Walter realizes he would need another two decades to provide for his family on an honest income. Facing mere months to make up the difference, he wonders how he can do right by his family. And this is how he begins to do wrong.<\/p>

Philosopher S\u00f8ren\u00a0Kierkegaard\u00a0explains why it is that good intentions actually make the situation worse:<\/p>

When a person turns his back on someone and walks away, it is easy to see which way he is going. That is that! But when a person finds a way of turning his face towards him who he is walking away from, and in so doing walks backwards while appearing to greet the person, giving assurances again and again that he is coming, or incessantly saying \u201cHere I am\u201d\u2014though he gets farther and farther away by walking backwards\u2014then it is not so easy to become aware. And so it is with the one who, rich in good intentions and quick to promise, retreats backwards farther and farther from the good.<\/p>

In Walter\u2019s case, we see that each step\u2014taken in some measure of blindness\u2014leads him closer and closer to perdition. Each step can be rationalized and justified out of an appeal to the superior end he is trying to accomplish.<\/p>

Whatever his intentions, the evil of Walter\u2019s conduct is undeniable. He uses his extensive training in chemistry to produce methamphetamine, a dangerous drug that destroys the lives of its users. Of all the shows engaging the question of substance abuse today, Breaking Bad<\/em> is perhaps the most honest in its depiction of addiction\u2019s tragic destructiveness. Walter tries to avoid his culpability in fueling his customers\u2019 addictions, realizing they would get the meth from somewhere anyway. His partnership with drug user and former student Jesse Pinkman spares him from direct contact with his \u201cvictims.\u201d<\/p>

It takes more pressure for Walter to commit personal transgressions. His first act of deliberate violence, killing a drug dealer inside his mobile RV meth lab, is a hastily performed in self-defense. We consider self-defense a tragic, if reasonable, excuse for killing. He then hesitates to kill the second drug dealer, Krazy 8, sympathetically giving him a sandwich and beer as he tries to muster up the courage to finish the job. Only when he realizes that Krazy 8 will certainly murder him if he get free does Walter carry out the execution. Even then, the improvised manner of the killing suggests a retreat from cold blooded agression to a more plausible act of self-defense. But this, too, is a small step backward\u2014going from hasty self-defense to calculated self-defense\u2014permitting Walter to become increasingly desensitized to his own sin.<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The most important feature of Walter\u2019s transformation is not merely the fact that he chose <\/em>it, but that he continued to choose evil each step along the way.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The turning point comes in Season 2, when Walter stands by and allows Jane, Jesse\u2019s goodhearted but troubled girlfriend, to choke to death on her own vomit so that Jesse will remain his partner. Again, Walter can rationalize his action: this is for Jesse\u2019s own good, to save him from further addiction. But this is a thin veneer over his real motivation of keeping his partner around so that he can continue profiting in the meth business.<\/p>

By the end of Season 3, Walter is asking Jesse to kill a peer in cold blood to save his own skin, as a pre-emptive strike. And by the end of Season 4, Walter recruits an elderly suicide bomber to take out his chief rival, Gus Fring, and ensure his own continued safety. And that\u2019s not the worst of it. To manipulate Jesse, Walter poisons someone close to him and accuses Gus of the crime. We finally learn the extent of Walter\u2019s capacity for betrayal, lies, manipulation, and callous indifference.<\/p>

Four seasons ago, no one would have expected good old high school teacher Walter White to kill a man in cold blood or to poison a child\u2014probably because the Walter White at the beginning of the story would have immediately refused and denounced such behavior. But his willingness at the beginning to engage in a passive sort of evil (feeding the destruction addiction of others) paves the way for killing in self-defense, committing pre-emptive strikes, and threatening the lives of children to accomplish his ends. The lesson here is that one doesn\u2019t simply Break Bad in an instant; it\u2019s a long process of moral erosion.<\/p>

In one episode, Walter asks Jesse why they kept cooking meth, even after they had made more money than they could possibly need. He attributes it to simple inertia\u2014the tendency of matter to continue in a state of motion. What Walter encountered was not simply financial inertia, but moral inertia. Once he has thrown out the line between good and evil by indulging pride and behaving inhumanly, it takes a great deal of will-power to stop at killing. Each level of indifference to the suffering of others permits their further dehumanization to the point of becoming mere tools to achieve Walter\u2019s ends. Because each step is made facing backward\u2014with good intentions\u2014it\u2019s difficult to realize when we\u2019ve transgressed inviolable ethical boundaries and become truly evil.<\/p>

Chuck Klosterman made a good case in his Grantland<\/em> article that Breaking Bad <\/em>is unique because Walter White\u2019s sins are \u201cnot the product of his era or his upbringing or his social environment. It’s a product of his own consciousness. He changed himself. At some point, he decided to become bad, and that\u2019s what matters.\u201d Yet the most important feature of Walter\u2019s transformation is not merely the fact that he chose <\/em>it, but that he continued to choose evil each step along the way. In terms of his ultimate destination, the earlier decisions were just as harmful as the later ones.\u00a0 As Jackson Cuidon put it, \u201cWalt’s pride at a dinner table is ultimately as important to the villain he becomes as his murder, his lying as corruptive as his violence.\u201d<\/p>

It\u2019s important here to note that Breaking Bad<\/em> is not a story of a good person gone wrong; we see nothing in Walter\u2019s character in the first few episodes to suggest that he is an exemplar of virtue. Rather, it\u2019s that finally the opportunity has really opened up for evil, and he chooses to take it. In a Rolling Stone<\/em> interview, Gilligan explains, Walter\u2019s cancer \u201cmeans that he is now awake, and this awakening from sleepwalking through the first five decades of his life, this sudden lack of constraint or inhibition, allows him to be the person that he truly is. Unfortunately, the person that he truly is most definitely not all good.\u201d The sinful nature simply lay dormant until being awakened by circumstance.<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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God himself takes on human flesh to offer us a model of true goodness and to save us from sin by his death on the cross. He doesn\u2019t want to wipe us clean on the outside, but to transform our broken hearts from the inside out.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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In Mere Christianity<\/em>, C.S. Lewis offers an illuminating metaphor, \u201cIf there are rats\u00a0in\u00a0a cellar you\u00a0are most\u00a0likely\u00a0to see them if you go\u00a0in very suddenly.\u00a0But the suddenness does not create the rats: it only prevents them from hiding. In the same way the suddenness of the provocation does not make me an ill-tempered man:\u00a0it only shows me what an ill-tempered man I\u00a0am.\u201d Unfortunately, rats rarely stay in a single cellar, but usually spread throughout entire neighborhoods. One infestation permitted to linger affects everyone nearby. Thus, Walter\u2019s sin has tragic consequences for everyone around him. The clearest illustration of this is after Walter lets Jane die.<\/p>

Jane\u2019s distraught father, an air traffic controller, misdirects two planes. The planes collide directly above Walter\u2019s house, and bodies rain over his entire neighborhood. It\u2019s a clever, if rather blunt, exploration of how Walter\u2019s sin unleashes havoc all around him. Sin is not without serious consequences.<\/p>

After the crash, Walter finds the plastic eyeball of a teddy bear that fell into his pool and keeps it in his pocket. Like one of those small trinkets of trash that you forget to throw away, the eye continues to haunt him\u2014peeking out from under the bed at him or peering upward at his wife from the dresser drawer. The eye serves as a regular reminder not only of Walt\u2019s transgressions, but also of the devastating consequences that he will never escape.<\/p>

Gilligan explained during another interview, \u201cIf there\u2019s a larger lesson to Breaking Bad<\/em>, it\u2019s that actions have consequences.\u201d During lunch one day in his trailer, Gilligan said, \u201cIf religion is a reaction of man, and nothing more, it seems to me that it represents a human desire for wrongdoers to be punished\u2026 I want to believe there\u2019s a heaven. But I can\u2019t not believe there\u2019s a hell.\u201d<\/p>

Yet surprisingly, we don\u2019t want Walter to burn in hell. The most incredible thing about the entire story is not simply Walter\u2019s tragic decline, but the capacity of Bryan Cranston, as an actor, to make Walter White still loveable in some sad way. While we recognize the depths of evil to which Walter has sunk, we cannot fully hate him. We sympathize with his motivations; we appreciate how logical each step along the way has been. We hope\u2014as that final shot closes in on the lily of the valley plant in his backyard\u2014that maybe, maybe it really wasn\u2019t Walter who poisoned the child.<\/p>

In this way, Cranston has provided a plausible example of that threadbare Christian saying, \u201cHate the sin, but love the sinner.\u201d Even if we hope that he faces some level of justice, we want Walter to make it through okay. We cannot completely loathe him even when his actions are utterly despicable. I worry, given Gilligan\u2019s predilection for justice, that there may be no redemption for Walter.<\/p>

This, I think, is where the Christian narrative is most helpful: while there is forgiveness, it is hard earned. God doesn\u2019t simply want to wash away the sin\u2014nor would it be consistent with his justice\u2014to pretend that the evil has not been committed. Instead, God himself takes on human flesh to offer us a model of true goodness and to save us from sin by his death on the cross. He doesn\u2019t want to wipe us clean on the outside, but to transform our broken hearts from the inside out. Jesus stops our moral inertia and can push us in the opposite direction.<\/p>

Breaking Bad<\/em> offers one of the richest insights into human nature on television today. Gilligan slyly signals his overarching theme when Walter stands before his class and tells his students, \u201cChemistry is\u2026 well, technically it\u2019s the study of matter, but I prefer to see it as the study of change.\u201d And so, too, Breaking Bad<\/em> is the study of change\u2014of a change from moral indifference to horrendous evil. It paints a picture of the development of sin in a way unparalleled in today\u2019s television story-telling. And it makes us pause to ask important ethical questions:<\/p>

Must sin have consequences?<\/p>

Will there be justice in this life?<\/p>

How can we resist negative moral inertia?<\/p>

How do we avoid breaking bad ourselves?<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jordan Monge<\/strong> graduated from Harvard University in 2012 with a degree in Philosophy. A former editor-in-chief of the<\/em> Harvard Ichthus, Jordan now works as the Northeast Regional Director and Director of Content Development for the Veritas Forum.<\/em><\/p>

\u00a0<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Walter White\u2019s descent from moral indifference to true evil is not a sudden plunge, but rather a slow slide begun in pride and paved with the noblest of 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