{"id":12846,"date":"2026-04-01T14:00:37","date_gmt":"2026-04-01T14:00:37","guid":{"rendered":"https:\/\/farefwd.com\/?p=12846"},"modified":"2026-05-08T01:34:03","modified_gmt":"2026-05-08T01:34:03","slug":"the-editors-recommendations-for-holy-week","status":"publish","type":"post","link":"https:\/\/farefwd.com\/index.php\/2026\/04\/01\/the-editors-recommendations-for-holy-week\/","title":{"rendered":"The Editors’ Recommendations for Holy Week"},"content":{"rendered":"\t\t
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The Editors' Recommendations for Holy Week<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Photo by Grant Whitty on Unsplash<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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This week every year, Christians remember the Passion, Death, and Resurrection of Christ with a multitude of liturgies, prayers, and reflections. We turn our minds and hearts to those most crucial moments in our salvation history that culminate in the empty tomb. This Holy Week,\u00a0<\/em>the\u00a0Fare Forward<\/em>\u00a0editors reflect on some of their favorite creative works that deepen their Lenten meditations, with the hope that these will also help you, our readers, prepare for the joyous celebration of Easter.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cThe Road to Emmaus\u201d by Spencer Reece
<\/strong>Sarah Clark, Editor-in-Chief<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Photo by Levi Meir Clancy on Unsplash<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The titular poem of Spencer Reece\u2019s second poetry collection begins in the office of Sister Ann, a Franciscan nun who offers free counseling. Reece is there to talk about Durell, his long-time AA sponsor, now deceased: \u201cI did not know how to end sentences about Durell. \/ He had taught me\u2014what? To live? Not to wince in the mirror?\u201d As the lines spool on, moving between Sister Ann\u2019s office and a church basement in Cambridge, the present day and the distant past, Reece draws a portrait of a life that is certainly flawed and largely wasted\u2014but also of a man who offered him companionship and a listening ear for years on end. \u201cListening, Sister Ann said, is a memorable form of love.\u201d We are all of us flawed and broken\u2014so deeply flawed and utterly broken that God had to die for us to be made whole. But He did. And when we look up from our own flaws, we will find He\u2019s been quietly walking beside us, unrecognized and unnoticed, all this time.<\/p>

The Road to Emmaus<\/em>\u00a0by Spencer Reece was published by Farrar, Straus, and Giroux in 2014. You can purchase a copy of the collection\u00a0here<\/a>, and you can read the poem\u00a0here<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cA Small Good Thing\u201d by Raymond Carver<\/strong>
Whitney Rio-Ross, Poetry Editor<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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The first time I read Raymond Carver\u2019s \u201cA Small Good Thing,\u201d I was shaken to the point of nearly vomiting. The author renders a married couple\u2019s terror and devastation in his signature sparse prose, mirroring the stark numbness that often accompanies our experiences with death. Yet the writing and narrative are also imbued with life. I consider this story an essential piece of religious short fiction, though there is no overtly religious content. Carver weds a painfully realistic narrative and Christian symbolism in the way that I hope to move through Holy Week\u2014simultaneously inhabiting the unglamorous griefs of today and Lent\u2019s final liturgies. Most importantly, I see aspects of the entire Triduum reflected here: Maundy Thursday\u2019s death-haunted feast, Good Friday\u2019s piet\u00e0, and Holy Saturday\u2019s unbearable absence. Even Easter Vigil is present as the sun rises in the last scene, making Saturday afternoon the perfect time to read this classic.<\/p>

\u201cA Small Good Thing\u201d by Raymond Carver was published in the collection\u00a0Cathedrals<\/em>\u00a0by Vintage in 1989. You can purchase a copy of the collection\u00a0here<\/a>, and you can read the story\u00a0here<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Sir Gawain and the Green Knight\u00a0<\/em>by Unknown<\/strong>
Sara Holston, Managing Editor<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Photo by Alexander Mass on Unsplash<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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While its tale may begin and end at Christmas,\u00a0Sir Gawain and the Green Knight\u00a0<\/em>was described by my thesis advisor as a Good Friday poem. Sir Gawain\u2019s journey toward an encounter he expects can only end in his death has a kind of Lenten gravity to it. Many have noted the confessional quality of the climactic scene at the Green Chapel, the parallels to the passion, and the emphasis on absolution. But though Gawain is something of a Christological figure in the narrative, what makes the poem a powerful Good Friday read to me is at the point where the comparison crumbles: Gawain fails. Like me and you, Gawain is so poignantly imperfect. And, like me and you, where he expected to find death\u2014and in his shame may have earned it\u2014Gawain instead finds a redemption that restores to him worthiness he could not have achieved otherwise.<\/p>

There are many translations of\u00a0Sir Gawain and the Green Knight<\/em>. Sara recommends the translation by J. R. R. Tolkien published by Del Rey in 1979. You can purchase a copy\u00a0here<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Miserere mei, Deus\u00a0<\/em>by Gregorio Allegri<\/strong>
Michael Carlowicz, Executive Editor<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Photo by Maximilian Brand on Unsplash<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The\u00a0Miserere mei, Deus<\/em>\u00a0by Gregorio Allegri is one of the most famous pieces of sacred music ever composed. Written for performance in the Sistine Chapel during Holy Week, the\u00a0Miserere\u00a0<\/em>is so beautiful and otherworldly that, in the seventeenth and eighteenth centuries, people were ready to believe that the piece was a carefully guarded Vatican secret. (One popular myth had the teenaged Mozart \u201cstealing\u201d and transcribing the piece by ear after only one listen.) Though now readily available on streaming platforms, this motet still wields immense emotional power, pricking the soul of the listener with its penitential wailing and the moving text of Psalm 51: \u201cTurn away your face from my sins . . . \/ A clean heart create for me, O God.\u201d Music as extravagant as this polyphonic Renaissance chant is likely to challenge a believer\u2019s expectations for the solemnity and austerity proper to Passion week. Indeed, such music is as wasteful as pouring a bottle of perfumed oil worth a year\u2019s wages on someone\u2019s feet.<\/p>

You can listen to\u00a0Miserere mei, Deus<\/em>\u00a0here<\/a>\u00a0on Spotify.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Miracle Service<\/em>\u00a0by Andy Squyres<\/strong>
Anna Heetderks, Editor<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Photo by Sara Holston<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Andy Squyres\u2019s 2025 EP\u00a0Miracle Service<\/em>\u00a0has been on a perpetual loop in my head this Lent. Squyres is a California-born, Carolina-based singer-songwriter who came to public musicianship later in life and whose writing reflects the accumulated joys and sorrows of years of marriage, parenthood, loss, and hope. Sonically,\u00a0Miracle Service<\/em>\u00a0is poignant and wonderfully cohesive; lyrically, it\u2019s intricate, wry, and charismatic in the true sense of the word: a stream of vignettes, memories, and pleas offered up to God. Squyres hasn\u2019t come by his faith easily. When I saw him in concert in March, he described the title track (inspired by a church he encountered in rural California advertising a weekly \u201cmiracle service\u201d) as a product of what philosophers and theologians have called the \u201csecond naivete,\u201d a post-critical state of being where one finds oneself embracing once again the beliefs they deconstructed. \u201cIn the age of doubt, all that\u2019s left for us to do is believe,\u201d he sings on \u201cJeff Buckley,\u201d the EP\u2019s fourth track.<\/p>

Squyres in\u00a0Miracle Service<\/em>\u00a0longs for the redemption of the physical world (\u201cI feel all creation groaning\u201d), and embodied encounter with the living God\u2014\u201cDash me on the rock of ages,\u201d he sings on the title track. The third song, \u201cBaja Blast,\u201d exemplifies the collection\u2019s Eucharistic hope:<\/p>

My best friend died of cancer, and at his funeral
I dropped a piece of Jesus and I ate him like a fool
My tears and snot were mingled with my Savior\u2019s blood
My unsanitary hand dipped into the public cup

<\/em>I can\u2019t imagine a more fitting Holy Week listen.<\/p>

Miracle Service<\/em>\u00a0was released on June 6, 2025, on Spotify. You can listen to the album\u00a0here<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hamnet,\u00a0<\/em>directed by Chloe Zhao<\/strong>
Maura Ronayne, Editor<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Photo by Veit Hammer\u00a0on Unsplash<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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After years of sitting through soulless Disney remakes and Hollywood\u2019s latest content churn, I\u2019ve stubbornly set myself against new movies writ large. Of these aggressively marketed films, I find none so egregious as new period dramas, and none more so than subversive literary adaptations (looking at you,\u00a0Wuthering Heights<\/em>). When I first heard of\u00a0Hamnet<\/em>, a fictional account of Shakespeare\u2019s family life adapted from a novel of the same name, I was skeptical. Yet this vivid historical drama utterly restored my faith in the possibility of great modern cinema. The film centers around the loss of Hamnet, the young son of William Shakespeare and his wife Agnes. From sweeping nature shots and a haunting score to incredible acting by Jessie Buckley and Paul Mescal, it is a masterpiece through and through. With deliberately slow pacing, Hamnet beautifully captures the rawest moments of the human experience, from agonizing childbirth to joyful family life, from the anguish of sickness and death to stifling grief, culminating in healing, redemption, and love.\u00a0Hamnet\u00a0<\/em>isn\u2019t a biography; it\u2019s a story about family, first and foremost, and a film about the piercing and devastating beauty of being human.<\/p>

Hamnet<\/em>\u00a0was released on November 26, 2025. You can view the film in theaters or stream it\u00a0here<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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One Battle After Another,\u00a0<\/em>directed by Paul Thomas Anderson<\/strong>
Najma Zahira, Editor<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Photo by Kateryna Hliznitsova on Unsplash<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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As we walk with the Lord in the days before his crucifixion, I\u2019m reflecting on what it means to live a life consistent with your beliefs. The ultimate example is Christ on the cross, of course, but a more recent example in pop culture comes to mind: Benicio Del Toro\u2019s character Sensei St. Carlos in Paul Thomas Anderson\u2019s film\u00a0One Battle After Another<\/em>. The film follows Bob Ferguson, a former revolutionary with a violent past, as he searches for his missing daughter when his past comes back to haunt him. The revolutionaries are a sympathetic crew; they see the brokenness of the world and feel called to restore justice, a feeling many of us can relate to. Their violent actions, however, don\u2019t fix the brokenness, but cause it to deepen. Sensei St. Carlos, however, takes a different approach. Through a life of steadfast service to his community\u2014undocumented immigrants in need of shelter, and later our protagonist Bob\u2014he begins to stitch the broken pieces together. Unlike the revolutionaries in their heyday, his life is not one of fanfare and acclaim, but of quiet, consistent service to what is good. Sensei St. Carlos cannot fully repair what is broken, none of us can, but his actions show that each of us have a duty to try, little by little, to bear our cross.<\/p>

One Battle After Another<\/em>\u00a0was released on September 26, 2025. You can view the film in theaters or stream it\u00a0here<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

The Fare Forward Editors share the poems, movies, and music that deepen their Lenten meditations as we prepare to celebrate 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