In re-reading of the Divine Comedy as a theological treatise, Denys Turner adds another entry to his multi-work thesis, argues for expanding the landscape of medieval theology, and re-imagines the meaning of one of classic literature’s most iconic poems. A joint review by Peter Blair and Sara Holston

If we want to meaningfully join in the conversation about AI, we’ll have to learn to face ourselves first.

Learning to Love welcomes Christian undergraduates into the liberal arts tradition. Review by Sarah Clark

J.C. Scharl’s new verse play is unexpected, experimental, and a truly worthwhile piece of art.

Adalbert Stifter’s collection of novellas is long on landscape descriptions and short on climactic events—but his appeal for his more famous contemporaries is strangely understandable.

Paul Mariani invites a host of other poets to his metaphorical table, and then invites us to take a seat and hear what they have to tell us.

Morgan Meis’s highly unusual collection of essays upends expectations in precisely the right ways. Review by J.C. Scharl

Alternative band Half•Alive’s sophomore effort delivers on cool sounds and poetic lyrics—but it lacks the sense of hope that buoyed their first album.

What could have been the takedown of a real-life faith-healing scandal becomes instead an unlikely conversion story in 1992’s Leap of Faith.

Tyler Childers’s newest album builds up a joyful noise with multiple versions of old classic hymns, original songs, and the songwriter’s own hillbilly universalist perspective.