The Theology of Breaking Bad
Walter White’s descent from moral indifference to true evil is not a sudden plunge, but rather a slow slide begun in pride and paved with the noblest of intentions.
Walter White’s descent from moral indifference to true evil is not a sudden plunge, but rather a slow slide begun in pride and paved with the noblest of intentions.
A comparison of Baz Luhrmann’s The Great Gatsby and Terrence Malick’s To the Wonder uncovers the deep relationship between love, creativity, and truth.
Marilynne Robinson’s quiet force in the contemporary literary world stems from exquisite prose revering the universe, the mind, and the Christian faith.
In the face of death and the physical absence of God, Spencer Reece’s poems forego anger and cynicism in favor of grief.
The conflation of eros with sexual desire misses a key component of the human need for love, companionship, and unity with the other.
Through teaching, practice, and liturgy, it is possible to change what we want into what we want to want.
The conflict for power between the state and the individual will not be reconciled by a state empowered to protect freedom, but rather by a thriving and active civil society.
As the contemporary church moves to throw off the errors of the separatist generations who came before, the example of Francis and Edith Schaeffer’s work at L’Abri provides a valuable example of true incarnational community.
Drawing on Augustine and twentieth-century French philosophy, Bell makes a case against our capitalist economy before offering an unexpected alternative.
James Blake's genre-defying sound and introspective lyrics provide an artistic expression of the emerging adult generation.