In Defense of Predictability
Maybe having a shocking twist at the end isn’t actually the best indicator of a great story. By Drea Jenkins
Maybe having a shocking twist at the end isn’t actually the best indicator of a great story. By Drea Jenkins
A young woman wrestles with the tension between her love of the movies and a conviction that God wants her to do something “better” with her life. By Claire Nauman
A primer in reading and appreciating the verse novel. By J.C. Scharl
The true tragic form lies at the intersection of boundless hope and certain doom, where we encounter a reminder of what it means to be human. By Shawn Phillip Cooper
The process of leaning into stories as you write them has surprising resonances with a life of prayer—and both offer startling openings into grace. By Christopher Hazell
The Italian filmmaker’s subversive work illustrates how we can interrogate power structures and winners’ narratives, even while working within the canon itself. By Michael O’Malley
Time travel may have started all in good fun, but its growing status as the only gimmick capable of saving humanity carries some troubling implications for what is being saved. By Charles Carman
When we return to beloved children’s books or discover new ones as adults, we make peace with our past selves and the people we’ve become. By Megan Foster
A cocktail recipe by the Fare Forward editors
When we chase after greatness, who and what are we leaving by the wayside? Review by Heidi Klumpe