Killers of the Flower Moon
Scorsese’s latest asks us to stop and look not just at the horrible crimes it depicts, but at what those crimes really cost. Review by Joseph Collum
Scorsese’s latest asks us to stop and look not just at the horrible crimes it depicts, but at what those crimes really cost. Review by Joseph Collum
Jeanne Murray Walker’s new memoir illustrates both the dangers and the ultimate rewards of exchanging certainty for faith. Review by Sarah Clark
The creator of Calvin & Hobbes has written a much darker book–but the unknown doesn’t have to bring us only to terror or indifference. There is another way. Review by Ali Holcomb
Khaled Anatolios’s expansive account of deification seeks to unify the various models of salvation under the banner of the Christian’s union with God. Review by Caleb Knox
Jane Austen’s most unlikeable heroine may hit a little too close to home for most of us—but also offers a clue to the real meaning of love. Review by Ali Holcomb
The Tetris movie is a fun romp, but its attempt to show character development flops when it makes monetary gain the sole metric of success. Review by Chris Fogle
Reading children’s books as adults reminds us that, however comforting the idea of returning to our past, we must keep moving forward. Review by Sara Holston
A documentary about freediving raises questions about the lure of the mysterious ocean—and about the mysteries of our connections to one another. By Marie Glancy O’Shea
Wes Anderson’s latest is even more than typically meta, but it also manages to touch on the real—and really human. Review by Sharla Moody
A worthy follow-up to the groundbreaking Breath of the Wild, Tears of the Kingdom engages our own questions of dis- and re-enchantment. Review by Jake Casale