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Bridgerton

Love Match

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Netflix’s new run-away hit has fans clamoring for more love stories—but it fails to follow through on the matches it creates.

Review by Katalia Alexander

Bridgerton Season 3 started filming this summer, and fans are already clamoring for a preview of the hit show’s next installment. Since the release of the Netflix show’s first season in 2020, the historical drama has proved incredibly popular, claiming Netflix streaming titles, inspiring a Grammy-winning unofficial Bridgerton musical soundtrack, and prompting dozens of glam-filled Bridgerton experience balls in cities across the country.

So why is Bridgerton so popular?

Set in regency London high society, the show focuses on the eight children in the Bridgerton family as they come out into society and search for love. The first season follows fourth child and eldest daughter Daphne Bridgerton (Phoebe Dynevor) in her society debut, and viewers see her fall in love, marry, and ultimately have a child with Simon (Rege-Jean Page), a handsome Duke. Season 2 switches gears to focus on her eldest brother, Viscount Anthony Bridgerton (Jonathan Bailey), as he tries (and fails) to resist falling in love with newcomer Kate Sharma (Simone Ashley). In both seasons, the characters’ family traumas, insecurities, and patterns of miscommunication keep the romantic leads apart for most of the season, only to be quickly resolved in the last episode to give the lovers their happily ever after.

As a show, Bridgerton does what it aims to do extremely well. The costuming and set decisions craft a glittering, glamorous world that viewers delight in. Instrumental covers of recent pop music hits and the Gossip Girl-style narration lend the show a modern feel missing in many other regency romance adaptations, drawing in a wide audience. Actor Jonathan Bailey steps into the spotlight as the Season 2 lead and is unexpectedly successful in rehabilitating a largely unliked Season 1 character into a romantic lead people swoon over. Bailey’s Anthony carries the trauma that keeps him from accepting his feelings for Kate close to the surface, showing audiences a deep and vulnerable look at Anthony’s hurt even as the character stubbornly tries to ignore it. Ashley’s Kate is likewise see-through to the show’s audience, and as a pair, Bailey and Ashley give us both a tense sexual chemistry between their characters and emotional parallels that suggest a deep and emotionally fulfilling bond—if the characters will let each other in. In short, Bridgerton absolutely sells the love story at the center of its second season.

That’s exactly the problem.

If we want to develop realistic understandings of life-long love, we need to be telling stories that reflect the complexities of long-term relationships.

The story Bridgerton tells so well is that finding and accepting love can be difficult, but that that love, once you have it, is the key to resolving any difficulties you face. In Season 1, Daphne and Simon suffer in their relationship because Simon’s childhood trauma causes him to not want children, and Daphne does. The miscommunication around this drives a wedge between the pair that is resolved not by talking about Simon’s very real trauma, but by convincing Simon that he must accept that he is deserving of love. The season ends with the couple happily welcoming a child into the world, with no lingering trauma to be seen. Season 2 likewise uses Anthony’s trauma as a tool to keep him and Kate apart, yet the resolution comes not from addressing this trauma, but from a speech by Anthony’s mother (played by Ruth Gemmell) insisting that “true love is worth it.” The problem is not the trauma the characters carry or the external consequences of their relationships, but that they don’t see or won’t accept the power of love.

This type of narrative, while not uncommon, is dangerous, because the stories we tell—particularly the ones we tell again and again—shape our expectations for our own lives and of what romantic love should look like. Rice University philosophy professor Elizabeth Brake suggests that, as a society, we share a cultural assumption that everyone should want a committed romantic relationship, and that that relationship will automatically lead to a happy and fulfilling life.

Our tendency to consume these happily-ever-after love stories leads us to conclude that feeling unhappy or unfulfilled in our romantic relationships for any period of time is abnormal and a sign that the relationship isn’t meant to be. But the truth is that pretty much every long-term romantic relationship will have periods of major difficulty. Divorce is often suggested as the answer to an unhappy marriage, yet a 2002 longitudinal study by University of Chicago sociologist Linda J. Waite suggests that unhappy couples who divorce or separate are no happier than couples who choose to stay married. Waite also found that “two out of three unhappily married adults who avoided divorce or separation ended up happily married five years later.” These findings suggest that while marriage can indeed be difficult and even unhappy at times, periods of unhappiness do not mean a marriage is wrong or must end.

Times of struggle in a romantic relationship don’t necessarily mean that it isn’t a good relationship—they simply mean that as people, we struggle with insecurity, miscommunication, and vulnerability in ways that don’t disappear once we find a romantic partner. In the early stages of a romantic relationship, the passionate emotions of falling in love often overwhelm us and lead us to ignore the flaws of our partner. But lasting relationships require partners to learn each other’s faults and insecurities and choose to love each other despite them, a process that can be difficult but ultimately leads to a more stable, trusting relationship. If we want to develop realistic understandings of life-long love, we need to be telling stories that reflect the complexities of long-term relationships.

Watching the second season of Bridgerton, I had hoped we would get this kind of storytelling in the background of the Anthony and Kate love story, as Season 1 lead Daphne continues as a supporting character. While the show was undoubtedly limited in the stories it could tell about the newlyweds because of actor Rege-Jean Page’s decision not to return, the on-screen explanation for his absence—that he must tend to their estate in the country while Daphne returns to London to support the Bridgerton family—could have prompted a compelling story for Daphne’s character, navigating the early years of her marriage from a distance and with a newborn child. Instead, Daphne appears hardly bothered by her husband’s absence, and spends nearly all of her time on screen reminding everyone of how blissfully happy she is in her marriage and insisting that each of her siblings find their own love matches. Instead of exploring how Daphne and Simon’s relationship continues to evolve, the Bridgerton writers stubbornly cling to the happy ending they wrote, even as Daphne’s continued presence coupled with Simon’s absence pokes glaring holes in that picture.

Rather than casting the pair solely as supports to another Bridgerton sibling on their journey to find love, the Bridgerton writers should give Kate and Anthony space to continue to struggle and grow in their marriage.

The anthology-style format of Bridgerton means that Season 3 will put forward yet another new leading pair (this time, series regulars Nicola Coughlan and Luke Newton) to tell another new love story. But Bridgerton still has a chance to tell longform stories alongside its latest falling-in-love narrative. Jonathan Bailey and Simone Ashley are both confirmed to return, meaning Season 2’s leads will continue to play a part in the Bridgerton story. Rather than casting the pair solely as supports to another Bridgerton sibling on their journey to find love, the Bridgerton writers should give Kate and Anthony space to continue to struggle and grow in their marriage. How do the pair continue to work through the traumas they each bear from the tragic losses of their fathers? How does Kate navigate her new role as Viscountess and head of the Bridgerton family, and how does that affect the rest of the Bridgertons? There are ample ways that the writers could continue to tell difficult, compelling, and realistic stories about their Season 2 leads beyond the happily-ever-after of their season, and they should tell these stories. As Bridgerton continues, a failure to do so will only become more and more obvious, as viewers get invested in a leading couple only for them to fall flat in later seasons as their development grinds to a halt.

In a recent interview, Kate actress Simone Ashley shared that she’s excited to see her character step into the Viscountess role and navigate the new challenges it brings alongside husband Anthony, so I’m optimistic that viewers might get a glimpse into what comes after the happily-ever-after for these characters in Season 3. Until then, I’ll be scouring streaming services for love stories that don’t end when the characters confess their love—because I know that that is just the beginning of the story, and the hard, real, rewarding parts of love are all of the moments that come after.

Katalia Alexander is a recent graduate of Emory University, where she majored in Sociology and Business. She currently works as a Campus Ministry Intern at Bread Coffeehouse, a Christian campus ministry serving the Emory community. Outside of work, she enjoys baking, reading, and exploring coffee shops and bookstores around Atlanta.

 

Bridgerton is based on novels by Julia Quinn and created by Chris Van Dusen. It debuted on Netflix on December 25, 2020, and the first two seasons are available to watch there.