The Value of Uselessness

Philosophers Michael Oakeshott, Johan Huizinga, and Josef Pieper can show us the wisdom of play.

In 1995, First Things published philosopher Michael Oakeshott’s wonderful essay, “Work and Play.” In this short piece Oakeshott made a distinction between alternative ways of orienting oneself in the world. As workers, we see the world as material for satisfying our wants, which are endless and variable. We view other people as employees or companions; natural resources are the means for our various projects; even prayer is thought of as a way of getting the things we desire. We are thoroughly practical. Everything must be paid for and nothing comes free.

Most of us think about the world like this, most of the time, whether or not we would like to admit it. We have important things to do, after all. Even if we do not wish to change the world in some grand scheme of reform, we must nevertheless maintain this world: paint our houses, exercise our bodies, attend to email, save money, and shop for dinner. Other kinds of activity can come, if they come at all, at the end of the day, or when the important activities are finished. The games of children take place only because they have few responsibilities. Serious adults have moved past such pointless activity.

Oakeshott offered an alternative to this utilitarian view of the world, and it was neither work nor rest. Instead he called it—perhaps channeling Johan Huizinga’s Homo Ludens—“play.” Neither a break from work nor mere idleness or entertainment, play is precisely what Josef Pieper described as leisure in his book, Leisure: The Basis of Culture. In leisure, Pieper wrote, one cultivates “an attitude of inward calm, of silence; [leisure] means not being ‘busy’ but letting things happen.” Oakeshott and Pieper saw that play is the sphere of all truly civilized activities: love, friendship, worship, liberal learning, and music, to name some of the more important ones. But play is always apt to be swallowed up by the domineering world of work or even to be put in the service of work. When education, for instance, turns into vocational training, it is no longer leisure (scholē) but work of a different sort. When poetry becomes political, its value is no longer intrinsic. It does the “work” of politics.

Play is foreign to the person whose existence is entirely contained within the practical world of work and accomplishment, because play “runs at right angles” to such a world. It is a categorically different kind of experience. In play we put aside ordinary concerns about practicality and outcomes, almost as if we were entering a different mode of being. In play we are disposed to reflect, to receive, to contemplate, and to let things happen instead of taking control, managing, and doing. Writing or reading poetry is play; listening to and performing music is play; conversation and philosophy alike are play.

Importantly, play cannot occur without a spirit of gratefulness for what is given. This requires that our souls be receptive. It requires silencing the voices of criticism and activism that persistently inquire whether the world could be improved, made better, fixed, and reformed. Instead, we rejoice. Play is akin to celebrating a feast, and all feasts affirm our fundamental accord with the world. Just as God acknowledges the goodness of His creation, we too have a capacity to enjoy the goodness that surrounds us. In doing so we have entered the realm of play.

Perhaps all of this sounds a bit exalted or ethereal. But it isn’t really. Play is already a part of our lives in familiar ways. A spirit of play is present, of course, in games and sports. Here a set of rules governs each distinct activity. A player’s moves or actions take account of those rules but also depend upon skill, choice, talent, and inclination, in just the way a speaker works within the “rules” of an established language to express meaning. Grammar and rules do not prescribe what is said or done, but they do limit and structure the activities. Chance is involved, as are skill and choice. If we should receive an impossible serve or a bad roll of the dice, the essence of the play lies in our particular response. Of course, sports and games can always be put in service of other ends—as they are when people bet on outcomes or pay winners—but the essence of such activity is the present delight it generates in the participants themselves and in their distinct styles of engagement.

Though we can never escape the constraints of time, we can sometimes act as if time doesn’t rule our lives. Play affords us this interim.

Oakeshott expressed similar sentiments about play in an essay from 1946, “The Voice of Conversation in the Education of Mankind.” Life, he observed there, is like a game of cards. The shuffle and the deal, he wrote, “clearly correspond to something in human life: they are the part-human disposition of the counters to be played with: facts to be accepted, but also to be complained about.” And the play itself? “Do we not play out our days as we play out our cards, taking them as they come, not knowing what they will be, exercising such skill as we have, hoping for a lucky card and sometimes getting it, but more often getting either just the wrong one or misusing such good fortune as comes our way?”

This analogy to life as a game takes us some way toward one understanding of play. Moral conduct inter homines simply is something like this: we understand that certain actions are within bounds while others are inappropriate. We develop a style within these rules–perhaps at times “breaking the rules”–but usually acknowledging them even as we do. The “game” is to live well and generously, aiming at our own happiness and that of others.

But there is also free play, of the sort that children do so well. Play here is an end in itself, undertaken solely for the activity’s intrinsic satisfaction, and without external structure. Children make mud pies, collect bugs, and build forts; they “play” house and school; they dress up in costumes for pure enjoyment. This kind of play delights in the moment without thought for the future. It is directly opposed to the long-term thinking required by investment, saving, and planning.

Both kinds of play are important (game playing and free play), and they are analogies for human activity. Both, moreover, may be opposed to the “work” that occupies so much of most adult lives. They imply a notion of the good life that goes far beyond the satisfactions of achievement and accomplishment that accompany purposeful striving. For again, play makes little sense in that world of utility and work. Its value only becomes clear when we extricate ourselves from the widespread notion–dominant now and perhaps at all times–that seriousness, purpose, and future outcomes are always the most valuable considerations in human action. 

Philosopher George Santayana, writing in The Sense of Beauty, explained the value of play lucidly. “[W]e may measure the degree of happiness and civilization which any race has attained by the proportion of its energy which is devoted to free and generous pursuits, to the adornment of life and the culture of the imagination.” Only in the “spontaneous play of his faculties” does man “[find] himself and his happiness.” 

Given the inherent goodness of play, one might wonder why it is so natural to the young and so rare in adults. We might also consider just what is lost when play is absent from our lives, when the serious, practical activities dominate. Are we really missing anything of importance?

Perhaps many people would say that our loss of play is a normal and natural evolution, a progress from the irresponsibility of childhood to the duties of a full-fledged adult. Play, on such an account, has no profound meaning but is a way to pass the time, a break from the work that is actually meaningful. Oakeshott, Pieper, and Santayana, however, would argue that such people have it exactly backward. Perhaps, indeed, the most immediate, intrinsically satisfying activities are also the noblest for human beings, precisely because they are entirely free from practical, utilitarian considerations. Uselessness may well be a “fatal accusation to bring against any act which is done for its presumed utility,” wrote Santayana. Nevertheless, he continued, “things which are done for their own sake are their own justification.”

We might go even further and wonder whether a life without play can be meaningful at all.  Clearly, rest is meaningful as a preparation for work; and work is meaningful for the opportunities it provides for doing something other than or “beyond” work. But in the contemporary world we often forget or fail to see what constitutes that beyond. Santayana did not forget it; and he too called it play. “All who feel the dignity and importance of the things of the imagination, need not hesitate to adopt the classification which designates them as play,” he wrote. “We point out thereby, not that they have no value, but that their value is intrinsic, that in them is one of the sources of all worth.”

Intrinsic value is the essence of play, and perhaps it even offers intimations of immortality. Though we can never escape the constraints of time, we can sometimes act as if time doesn’t rule our lives. Play affords us this interim. A dear friend, a wise Catholic priest, once made the offhand but profound remark that “the thing about the saints is that very few of them had long-term plans.” Would that we all might be more like those saints, following their examples as we affirm, enjoy, and rejoice in what we have so graciously been given.

Elizabeth Corey is an associate professor of political science in the Honors Program at Baylor University. She is the author of Michael Oakeshott on Religion, Aesthetics and Politics (University of Missouri Press), and in 2022 is a visiting professor at the American Enterprise Institute’s Faith and Public Life initiative.