ON AESTHETICS
By Kayla Beth Moore
after Kenneth Koch
Aesthetics of Being a Truth Universally Acknowledged
Be poorer than you deserve
and have a more charming sister.
Aesthetics of Dido, Turning from Aeneas in the Underworld
Anger is the ash
that fell in flakes
around your extinguished pyre.
Forgiveness,
the unspoken promise
between pistil and stamen
in the myrtle grove.
Aesthetics of the Bouquets in the Great Hall of the Metropolitan Museum
Be Pee Gee hydrangeas webbed with curly willow branches and tiger lilies.
Be designed by a third-generation Dutch florist.
Be endowed.
Be new every week.
Aesthetics of Percy Bysshe Shelley
Call love
“Imagination”
and make it mandatory.
Aesthetics of Surviving on a Desert Island
Search for driftwood.
Remember old songs.
Become a better swimmer.
Aesthetics of Porch Ants
Keep quiet in the roots
of the potted jade plant.
Aesthetics of Being the Only Woman at The Conference Table
Wear a crisp white collar.
Have the nicest pen.
Aesthetics of Flannery O’Connor
Include a grandmother,
a pet, and a pistol.
Name someone after a virtue.
Tuck the analogia entis
in between the killer
and the killed.
Aesthetics of Leaving Home
Tell your mother you’ll be back
and try to remember you said so.
Aesthetics of Pennies
Late capitalism’s
breadcrumbs.
No longer copper.
Still jangle.
Aesthetics of Edwin Austin Abbey’s “Richard, Duke of Gloucester and Lady Anne” (1896)
She gives the red crowd
nothing but the slightest flush
of her high-boned cheek.
That her eyes were basilisks.
Aesthetics of In Medias Res
Start running
before they turn on the camera.
Kayla Beth Moore is a writer from Tellico Plains, Tennessee. She holds an MAR in Religion and Literature from Yale Divinity School and an MFA in Creative Writing from the University of Florida. She was the founding curator of the Library at Grace Farms and lives in Atlanta, GA.