After a Photograph of Two Shaker Women with Saxophones
By David Wright
sitting in their straight-backed chairs, one sister
playing Simple Gifts, the other a set of Coltrane
riffs she remembers from the last time she danced
before she saw, clear, God’s hand wipe dusk into night.
A love supreme and then you come down right
on the tonic. They can make a reed last a long time.
When it cracks, they fashion another from wicker
and never forget the more ecstatic dances of Utopia:
Mother Anne may I? Father, listen. Children, go.
And we will stay here in the woodshop, singing, stomping,
and saxing it up in the symmetrical, resonant meeting hall,
the kitchen, and eventually the everlasting future, all our
walls decked in pure white and the barest blue pigment
made from berries, so ecstatic in the fall as we work,
when we discover love is brittle and enough, when love
is little, a set of sounds so simple, so right and supreme.